Drama
A Level Drama (Edexcel)
Aims
To enable students to:
- Develop and apply an informed, analytical framework for making, preforming, interpreting and understanding drama and theatre
- Understand the place of relevant theoretical research in informing the processes and practices involved in creating theatre and the place of practical exploration in informing theoretical knowledge of drama and theatre
- Develop an understanding and appreciation of how the social, cultural and historical contexts of performance texts have influenced the development of drama and theatre
- Understand the practices used in 21st-century theatre making
- Experience a range of opportunities to create theatre, both published text-based and devised work
- Participate as a theatre maker and as an audience member in live theatre
- Understand and experience the collaborative relationship between various roles within theatre
- Develop and demonstrate a range of theatre-making skills
- Develop the creativity and independence to become effective theatre makers
- Adopt safe working practices as a theatre maker
- Analyse and evaluate their own work and the work of others
Interested in A-Level Drama? Have a look at our Drama Scholarship https://sixthform.harrischobham.org.uk/1414/drama-scholarship?search=scholarship
Assessment
Component 1: Devising | |
Non-Examination assessment | 40% of the qualification 80 marks |
Content overview
| |
Assessment overview
|
Component 2: Text in Performance | |
Non-examination assessment | 20% of the qualification 60 marks |
Content overview
| |
Assessment overview
|
Component 3: Theatre Makers in Practice | |
Written examination: 2 hours 30 minutes | 40% of the qualification 80 marks |
Content overview
| |
Assessment OverviewSection A: Live Theatre Evaluation
Section B: Page to Stage: Realising a Performance Text
Section C: Interpreting a Performance Text
|
Performance texts
List A – one from: | List B – one from: |
Accidental Death Of An Anarchist, Dario Fo | Antigone, Sophocles |
Colder Than Here, Laura Wade | Doctor Faustus, Christopher Marlowe |
Equus, Peter Shaffer | Hedda Gabler, Henrik Ibsen |
Fences, August Wilson | Lysistrata, Aristophanes |
Machinal, Sophie Treadwell | The Maids, Jean Genet |
That Face, Polly Stenham | The School for Scandal, Richard Brinsley Sheridan |
The Tempest, William Shakespeare | |
Waiting for Godot, Samuel Beckett | |
Woyzeck, Georg Buchner |
Practitioners
Antonin Artaud | Kneehigh |
Bertold Brecht | Joan Littlewood |
Steven Berkoff | Punchdrunk |
Complicite | Constantin Stanislavski |
Assessment Objectives
AO1 | Creating and developing ideas to communication meaning as part of theatre-making process |
AO2 | Making connections between dramatic theory and practice |
AO3 | Analysing and evaluating their own work |
AO4 | Group performance – vocal and physical skills |